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Used in a smoke free studio for mixing and mastering it has the same sound quality of his successor DMS-5 with a different output configuration. I chose it years ago after a comparison with the Apogee Big Ben I had in the studio previously. Used in conjunction with good digital cables has, in my personal option, a more natural sounding sample rate conversion than the Apogee, that let you process in a really transparent way complex mixes preserving the natural rooms ambience on signals like cymbals, soprano voices or acoustic solos.