Line 6 have finally realised that, for many studio musicians, the Pod was the right product in the wrong package, and have brought out a new 24-bit Pod Pro that provides all the functionality of the original Pod within a 2U rack unit. But the improvements don't stop there — it also includes upgraded internal operating software, better A-D/D-A conversion and professional-quality I/O. The software upgrade has also benefitted the original Pod, with Line 6 now selling a version 2.0 model, as well as offering a cheap upgrade for existing owners (see 'Pod Version 2.0' box).
The Pod Pro's new software makes hands-on control of Line 6's physical modelling easier, and the extra rear-panel socketry will be essential for those using it within professional studios where both analogue and digital outputs are required.
The Pod Pro's sculpted front panel is of anodised aluminium in the familiar red. The controls mimic those found on the Pod, with the addition of input signal and clip LEDs, and two switches for managing the extra connectivity. However, the most important new hardware is to be found on the rear panel.
First off there's an unbalanced input jack for treating line-level sources such as recorded guitar tracks, synths and samplers — one of the extra front-panel switches selects between this and the front-panel guitar input. Next up is another unbalanced jack providing an unprocessed guitar output, and stereo send and return jack sockets allowing you to use external effects loops.
There is a choice of processed outputs — balanced XLRs (with associated ground-lift switch) and unbalanced jacks for analogue, and XLR and phono connectors for AES-EBU and S/PDIF digital signals. Pod Pro can run at either 44.1kHz or 48kHz sampling rate, as well as sync'ing to its dedicated word clock input. The Ethernet socket for connecting compatible foot controllers (either the Floorboard or o
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