Get the real sound and feel of an all-analog Moog with modern construction and reliability!The Minimoog Voyager Old School Analog Synthesizer has the analog sound engine of the Voyager, but without the digital controls. It is the perfect solution for players looking for a road-worthy replacement for their venerable Minimoog Model D, a full-featured centerpiece for their modular synth rig or just craving direct, hands-on connection to their creativity. Priced between the Voyager and Little Phatty, this modern classic makes the coveted Voyager sound and design easier to own than ever.

The Minimoog Voyager Old School has extensive patching facilities, and expanded modulation capabilities. The signal path starts with a bank of three wide-range, high-stability voltage controlled oscillators, one noise source and one audio preamplifier for externally-applied audio signals. The sound modifiers are two Moog filters and one stereo VCA (Voltage Controlled Amplifier). Control devices include a 44-key keyboard with velocity and afterpressure outputs, pitch bend and modulation wheels and many control/pedal input jacks.

The Minimoog Voyager OS synth has a hinged, multi-position panel and a solid hardwood cabinet. The power supply accepts any power voltage from 100 volts to 240 volts.

Oscillators Module
Three wide-range, high stability VCO s (Voltage Controlled Oscillators) with continuously-variable waveforms. * FREQUENCY controls (2) vary the frequencies of Oscillators #2 and #3 over a +/-7 semitone range with respect to Oscillator #1.* OCTAVE selectors (3) set the frequency ranges of the oscillators in six octave steps.* WAVE controls (3) provide continuous control over the waveforms of the oscillators, from triangular, to sawtooth, to square, to narrow rectangular.* 1-2 SYNC switch synchronizes the Oscillator #2 waveform to the frequency of Oscillator #1, for dramatic timbral effects.* 3-1 FM switch provides linear frequency modulation of Oscillator #1 by Oscillator #3.* 3 KB CONT switch disconnects Oscillator #3 from control by the keyboard, thereby enabling it to function as a drone.* 3 FREQ switch lowers the frequency of Oscillator #3 into the sub-audio range, thereby enabling it to function as a low frequency audio or modulating oscillator.

Mixer Module
Five-input mixer for combining the audio sources prior to filtering. * Input Level controls (5) adjust the relative levels of the oscillator, noise, and external audio input signals.* Input switches (5) enable the player to quickly switch individual audio signals in and out.* External Level LED enables the player to set the correct external audio signal level.

Filters Module
Dual mode filter module includes dual lowpass and highpass-lowpass filtering. Dual lowpass mode consists of two Moog lowpass-resonant filters in parallel, one per output channel. Highpass-lowpass mode consists of Moog lowpass filter in series with a highpass filter.* CUTOFF control sweeps the frequencies of both filters throughout the audio range.* SPACING control sets the spacing between the frequencies of the two filters, over a +/-3 octave range.* RESONANCE control adjusts the resonance of both filters, from none (pure lowpass response) to filter oscillation.* KB CONT AMOUNT control sets how much the filters open and close as the player presses different keys on the keyboard.* Dual Lowpass/Highpass-Lowpass switch selects between dual lowpass operation or highpass-lowpass operation.

Envelopes Module
The Envelopes Module generates two wide-range ADSR (Attack Decay Sustain Release) envelopes. The Filter Envelope sweeps the filter and is available for modulation shaping. The Volume Envelope shapes the overall volume.* ATTACK controls (2) determine the attack times of the envelopes.* DECAY controls (2) determine the decay time constants of the envelopes.* SUSTAIN controls (2) determine the sustain levels of the envelopes.* RELEASE controls (2) determine the release time constants of t [cut...]

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